Jake started in music at eighteen and was a talent buyer at nineteen, which means he learned booking by being the person who had to make the math work on Monday. He got his job at Madison House by putting on a show that did not sell, calling the agency, and offering to eat the loss in exchange for an interview. He stayed more than a decade and left as a partner and Director of Agency Development, with 100+ artists across the rosters he built and ran, including Bassnectar, Beats Antique, Lotus, Paper Diamond, Keys N Krates and Hieroglyphics.
He was part of the founding team that built and launched the culturally iconic Electric Forest music festival, where he booked the early years and helped design and curate the stages and themed areas. Before that he booked half the first Rothbury lineup. An agent who books festivals is unusual, and he is clear that it is worth saying.
On the technology side he helped build and license Madmin, an early cloud-based CRM for the music industry, built with four partners at a point when most of the sector ran on spreadsheets and email attachments. It was licensed to other agencies, which turned an internal tool into a product. That is where his interest in internal systems, and the economics behind them, started.
Since leaving the agency the work has moved through creator partnerships and brand strategy into AI. Today he does AI quality control: rubric architecture and auditing, golden answer design, model failure design, and agent trajectory review, for AI companies and the firms that serve them. Much of that work is under NDA. He is also developing deal-making and negotiation courses for Coursera, which is the same problem the studio solves for clients: taking knowledge that lives in one operator's head and turning it into something other people can use without him in the room.
He lives in St. Paul, Minnesota, after twenty years in Denver and Boulder.